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Home BLOGS Music Music: Axl Rose

Music: Axl Rose
Written by Jennifer Maerz   
Thursday, 28 September 2006 05:45
Jennifer Maerz is back with a blog on the local SF music scene.
Sorry I've slacked on the music blog lately. It's not that there haven't been a ton of shows in town ... there have been too many. I reaped my reward last week, though, with Axl Rose and the hired Guns at the Warfield. I think I really have to start with that show.

As with any old school show, you're not gonna get many half-assers in the audience at Guns 'n' Roses. You're going to get rooms full of good timers - like the fun girl in the green, who turned 30 that night (I think her name was Amy) and was so happy to be at GnR that she even screamed when opener Sebastian Bach was on stage. And let me tell you, the drag queens at Aunt Charlie's take less pancake batter to the face then that dude these days. But hey, Sebastian told us all about that reality show he was on where he only "pretended" to get sober! Ha! Take that Ted Nugent!

So it was blah blah Sebastian Bach and then blah blah "18 and Life" and blah that one other song I know by Skid Row thanks to Headbangers Ball and then like three hours after they were supposed to take the stage, Guns 'n' Roses shot fire and some fireworks across the stage and the spectacle began.

The last time I saw GnR was in Tacoma couple years ago and it sucked ass. I don't need a dude with a bucket on his head noodling around on guitar and I definitely don't need Fat Axl panting heavily in a football jersey and those Cancun cornrows, unable to hit any of the high notes. That night I swore I'd never let Axl ruin GnR again. But I gave it a second chance. I'm so glad I did.

Axl was still with those cornrows, but this time he dressed like a rock star, and much more importantly, he sounded like one. He slam dunked the catalog for a solid two plus hours - "Sweet Child O' Mine," "It's So Easy," "Paradise City," "Patience," "Welcome to the Jungle," "Live and Let Die" (aka my karaoke song of choice, although it's usually the original Wings version), "November Rain," and a couple new songs from that "upcoming" album that you know in your heart is never, ever coming going to come out so just forget about it (and if it does happen to sneak out, you know how much it's gonna suck anyway).

I don't know who any of the dudes are who play in Axl's band now -- except that badass Tommy Stinson. That guy's stuck it out in GnR 3.0 almost long enough to be an old timer…but then again, he probably went through a lot worse with the Replacements. At the GnR show Stinson fell over backwards towards the end of the set. Flat on his ass. But I still love him. He was the second best part of the show - all the other dudes had looong, wanky ass solos (aka Axl's costume change time). Seriously, they needed to save that shit for Guitar Center.

Axl gettin' hyphy

The best part about the show was that Axl didn't throw any tantrums. I guess the next night at the Warfield he stopped mid-song to throw out a heckler just to show everyone who could be "the biggest asshole." And then, um, a bunch of the September shows got moved to like end of the year. But hey, the Wednesday night I saw GnR it was good vibes all around. And did I mention fireworks?

And confetti. So much confetti!

Bravo, Axl and Tommy Stinson and other dudes!

GnR comes back to the Bay Area in December I believe…but it's back to the arenas for them that round. Remember, Axl does not like to get heckled. Video from the Thursday night hissy fit here - WATCH Axl wins

But as they say, rock 'n' roll never forgets. Or at least that's what Bob Seger says. And so that's what Total BS - the Bay's premiere Bob Seger cover band - reminded us when they took to the Amoeba stage on the day Bob's new record whateverthefuckit'scalled came out.

Definitely one of the best in-stores I've seen (Coors can hi-fives all around). Total B.S. would be the perfect house party band - and what I'd call a local supergroup of sorts, corralling members of Drunk Horse, Saviours, Colossal Yes/Comets on Fire, and some other bands I'm forgetting into one big celebration of one of the finest classic rock songs ever written, "Ramblin' Gamblin' Man" (also on the set list: "Hollywood Nights," "Her Strut," "Night Moves"). They were backed by the lovely ladies of the Husbands.

It wasn't all rock 'n' roll in a time warp, though. I also some fresh new shit. Like CSS (http://www.myspace.com/canseidesersexy), Diplo, and Bonde de Role (http://www.myspace.com/bondedorole). (It was a while ago but it was a good one and I forgot to write about that show last time.) CSS and BdR are from Brazil, which means their accents make everything they're saying sound that much better - especially Bonde because they rap in Portuguese. Both Brazilian groups hail from the party side of that country's music spectrum for sure. Bonde de Role rap over other people's beats (like AC/DC mashed up in "Wild Thing") and act like a couple college kids on the brink of sleeping together. They had plenty of slapstick potty humor, and only one broken arm.

They got the hands in the air

Sao Paulo's CSS were less Beastie-Boys-from-the-barrio and more neon bright punk funk electro. They'd do well in the rollerdiso between Blondie and Le Tigre (They're coming back with Ladytron Oct. 16 at the Fillmore.) At the end of the show the singer did a nice little stage dive

…and Diplo took over the turntables, mixing TV on the Radio, Corey Heart, hip hop, international pop and god knows what else. Everybody danced.

People also danced when Glass Candy (http://www.myspace.com/glasscandy) came to the Hemlock.

Even though the band got into town late, the opening act packed up Glass Candy's guitar by mistake, and singer Ida No was barefoot around too much broken glass

…. the Portland band still put the boys into comas. Ida coos her Debbie Harry come-ons like she's beaming in from a distant planet of indie boy screensavers, the beats percolating around her and the guitars razoring out the riffs. Ida's lost a bit of the ice queen veneer I remember from her shows years back (which is good)…she was really friendly with the crowd, including one drunk chic who demanded to be the band's new manager.

Glass Candy's drummer is the frontman for Danava (http://www.myspace.com/danava). I keep plugging them, but seriously, check out "By the Mark." So good!

And then, of course, there was plenty of time for dancing the rest of the week…DJ Assault brought booty love Detroit-style to Mighty. I was more impressed with the opening acts, though, then Assault's set of "buy my merch in the back ass ass titty titty buy my merch in the back." Loved the Double Duchess jump rope squad

Solid standbys Jefrodesiac and DJ Funk were less talk, more fill up the dance floor.

And on a different night, another crew moved in on Ming & Ping (http://www.myspace.com/mingping) - which means sashaying to airy new wave accented by a gaggle of dancers in Asian-themed costumes against a giant video screen (and one golden costumed thing I couldn't figure out).

And then some random thoughts from around the city.

Favorite new find: The Drones (http://www.thedrones.com.au) from Melbourne, Australia. Gorgeous, dramatic rock in the vein of Nick Cave and Dirty Three. It's the soundtrack for diving too fast and too furiously into passionate love affairs, having them come back and crush your heart, and howling at the moon and the bartender for a second chance. There's little middle ground with their songs. San Francisco folks can see them live at Bottom of the Hill in November. In the meantime, they have a bunch of live recordings and singles streaming on their website. Check it out.

Upcoming picks: Grizzly Bear (Independent, Sept. 29); Benefit for Pat from Rogue Wave (Independent, Sept. 30); Pink Mountaintops (Independent, Oct. 3); The Mall (Bottom of the Hill, Oct. 5); .Adult (Mezzanine, Oct. 5); Stallion (12 Galaxies, Oct. 6); The Spits (Thee Parkside, Oct. 6); Oxbow (Hemlock, Oct. 7); Jesse Sykes (Independent, Oct. 9); Subtle (Bottom of the Hill, Oct. 14); Demolition Derby at the Petaluma Speedway (Petaluma, Oct. 14); Priestess (Independent, Oct. 17); Boris (Slim's, Oct. 18); Mammatus (Bottom of the Hill, Oct. 19); Crime in Choir (12 Galaxies, Oct. 19); Stones Throw Anniv. Tour (Mezzanine, Oct. 19); Cut Chemist (Independent, Oct. 20); ESG (Mezzanine, Oct. 27) {moscomment}

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contact FF

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Wednesday, 16 June 2010 17:39


 

 


 

 

 

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5 new wonderful large-scale paintings on wood panel are available. visit: www.ffdg.net


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Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.


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Serge Gay Jr. @Spoke Art

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NYCHOS completed this great new mural on the corner of Haight and Ashbury in San Francisco on Tuesday. Looks Amazing.


Sun Milk in Vienna

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding


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Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery

While walking our way across San Francisco on Saturday we swung through the opening receptions for Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery in the Mission.


Jeremy Fish Solo Show in Los Angeles

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.


The Albatross and the Shipping Container

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.


The Marsh Barge - Traveling the Mississippi River from Minnesota to the Gulf of Mexico

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.


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